St Laurence, Affpuddle

In the year 987 AD, land of this neighbourhood was given by Alfrith, or Affrith to the Abbey of Cerne - from this donor, combined with that of the river, the name of the village presumably comes. Cerne Abbey remained the landlord until the Dissolution on February 28th 1539. The manor and advowson was then granted to Sir Oliver Lawrence of Creech Grange. In 1685 John Lawrence sold the property to William Frampton of Moreton and in 1755 Edward Lawrence sold the mansion and farm to James Frampton. In 1914 Harry Frampton sold the property to Sir Ernest Debenham, after whose death, in 1952, the estate was sold in small lots. The church as it now stands is largely the result of custodianship of these landowners, one religious house and three families, who built, rebuilt and repaired the main structure over a period of close on a thousand years.

The earliest datable parts of the church, about 1230 AD are the East Window, the smaller chancel pointed window and the trefoil arch of the south door. The chancel arch is early English, the North arcade about 1460. The other windows are all of the perpendicular style. The tower is a fine example of Perpendicular period, dated about 1462. It is of flint and grey stone with pediment and pinnacles of yellow Ham Hill stone, in which it resembles many other Dorset and Somerset towers. The buttresses on the East side spring from corbels below roof level on the West wall of the church, a feature shared by the beautiful tower of about the same date at Cerne Abbas. There are some nice gargoyles and heraldic beasts round the tower.

The arch between tower and nave has a panelled soffit. The chancel arch is pierced on the North side by a hagioscope. On the South side is a doorway and stair which led up to the rood loft. On the South wall, just East of the door, is a holy water stoup, and in the South chancel wall a piscina.

The square font, of the Norman period, is on one’s left as one enters the church through the south door. A second font, round, of similar age belonging to Turnerspuddle church was housed at Affpuddle for safe keeping when Turnerspuddle church’s roof became unsafe due to war damage, but has now been returned to Turnerspuddle.

The pew ends and the carved pulpit are particular features of the church. As can be seen on a pew in the North aisle:- "Thes seyts were Mayd in the yeare of our Lord God MCCCCCXLVII (1547) the tyme of Thomas Lylynton, vicar of this Cherche." The pews were renewed in 1883 by Messers Hems of Exeter, retaining the carved ends and some linefold panelling. Six more pews were added during the years 1885-90, made by Messers Parsons of Dewlish.

The pulpit, of about the same date, has five panels containing delicately carved figures below which are medallions with the symbols of the four evangelists and the fifth of the pelican. Lylynton, a monk of Cerne Abbey, was appointed vicar here in 1534; in 1539 the Abbey was dissolved and the monks scattered; in 1547 the inscription was set on the pew. One wonders whose were the hands that drew the designs and used the chisels during those years of bitter change.

The screen dividing chapel from nave was one of Sir Ernest Debenham's many gifts to the church. It is partly made from the screen which used to be at the West end, and this in turn was constructed from the chancel screen.

The reredos, the figures of St Laurence and St Cecilia on the East chancel wall and of the Virgin and Child in the chapel were designed and carved by Loughnan Pendred of Cambridge, as also was the crucifix in the war memorial shrine in the garden of peace at the East end of the church. These were given by Sir Ernest Debenham, so also was the beautiful altar frontal of fifteenth-century Spanish Embroidery. The monument on the North chancel wall is to Edward Lawrence.

The Lawrence coat-of-arms, here shown, is supposed to have been the inspiration for the US flag. George Washington's mother was a Miss Lawrence and her arms were quartered thus with the Stars and Stripes.

The present organ, sited in the tower, was installed in the autumn of 1998. It was built by Bevington in the latter part of the nineteenth century and underwent considerable refurbishment on installation. This organ was previously at Collingbourne Kingston church in Wiltshire.

There are four bells dated 1598, 1655, 1685 and 1722. They are rung by a chiming mechanism. An hour-glass from this church which was treasured by the then parish clerk, Robert Hookey, long after it had gone out of use, was lent on his death to the county museum, Dorchester, where it still remains. The sand runs for 62½ minutes.

The river Piddle bounds the churchyard and Garden of Peace on the North and from the tower a wide view can be obtained of the water-meadows, the special feature of this valley and that of the Frome to the South. It was George Boswell, occupier of Waddock Farm in this parish, who made a scientific study of the management of water-meadows and who published a treatise on this subject in 1779.

The little disused mill, whose race is such a feature of the Garden of Peace, has an ancient history, though the present cottage and buildings are of the twentieth-century. A mill at Affpuddle was mentioned in the Doomsday Book and again in "Proceedings of Defence of the County of Dorset" in 1799.

Within the Garden of Peace is a stone seat of Portland and Purbeck stone in memory of Joan Brocklebank, a local historian, woodlander, musician, and naturalist.


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